doodlereplicas

A SHORT HISTORY

A good copy
keeps a secret.

Some of the best-loved objects in British museums are copies.

Pick a cast
A tall, top-lit Victorian museum gallery filled with huge white plaster casts of classical columns, carved doorways and statues
AI-generated image, not a photograph of a real person or place.

PLASTERa faithful copy

  • Moulded from the original
  • Built for study
  • Now a record in itself
  • Why copies earned their place

In the 19th century, museums filled vast galleries with plaster casts of the world's great sculpture and buildings so that people who could not travel could study them. Many of those copies now show details the originals have lost.

Updated

THE SHORT ANSWER

Copies for study,
records for today.

Victorian museums collected casts to teach design.
Today some are the best record of the original.

HOW

Moulds, then plaster

Plaster moulds are laid on the original, removed, cased and filled with wet plaster. The pieces are then assembled and finished into a full copy.

How a cast is made

WHY

A school of design

When the V&A was founded in 1852, casts were an essential part of the collection, regarded as 'superior to drawings' for students.

Read on

NOW

Time capsules

Some casts show details lost on the original to poor restoration, pollution or weathering. A few are the only record of a destroyed work.

See the numbers

PICK A CAST

How big is
the copy?

Pick one of the famous casts in the V&A's Cast Courts in London. The bar shows its height compared with the others.

Heights and dates from the V&A's own pages on its cast collection.

Cast check

Choose a cast
Michelangelo's David5 m+

Made by the Florentine cast-maker Clemente Papi in the 1850s from hundreds of pieces of mould taken directly from the original statue.

The Gates of Paradise7.5 m

A seven-and-a-half-metre set of electrotype doors copied from Florence. An electrotype is a metal copy made in a mould, not plaster.

Trajan's Column35 m

Too tall for any gallery, so it stands in two sections built round inner brick chimneys. Each plaster piece was numbered to be assembled like a jigsaw.

Sources: V&A, History of the Cast Courts; V&A Explore the Collections, Trajan's Column (Repro.1864-128).

TWO NUMBERS WORTH KNOWING

A column too tall
for its own gallery.

The courts were built for one copy,
and it still did not fit in one piece.

35 m

Height of the plaster copy

Napoleon III had a mould taken of the Roman column in the early 1860s. The South Kensington Museum bought a set of plaster casts in 1864.

TRAJAN'S COLUMN · V&A

25 m

Height of the galleries built for it

The Architectural Courts, opened in 1873, were built to fit the column, but only high enough to show it in two sections.

CAST COURTS · V&A

A 1928 report to the V&A's Advisory Council proposed getting rid of the whole cast collection. The advice was disregarded, and the V&A says similar collections elsewhere in Europe have since been destroyed or dispersed.

A visitor seen from behind sketching a white plaster cast of a classical head in a quiet museum gallery
AI-generated image, not a photograph of a real person or place.

FROM ORIGINAL TO COPY

Four steps to
a plaster cast.

This is how the V&A describes the making of its 19th-century casts.

  1. Take the moulds

    Several plaster moulds are placed on the surface of the original and left to harden.

  2. Case them

    The moulds are removed and enclosed in an outer casing that holds them in shape.

  3. Coat and pour

    The inside is coated with a separating agent so the copy will release, then wet plaster is poured in.

  4. Assemble and finish

    Once set, the pieces are put together and the joints and surfaces finished to make a complete copy.

WHY COPIES MATTERED

The world,
under one roof.

The V&A says that at a time when travel was difficult, the Cast Courts brought art and architecture from around the globe together under one roof. For Londoners who could not travel abroad, the casts were a glimpse of European sculpture.

Casts are being used for teaching again because they give a sense of scale and three dimensions that no photograph can. In Cambridge, the Museum of Classical Archaeology holds one of the largest plaster cast collections in the world, of Greek and Roman sculpture, and entry is free.

A conservator's hands lifting a section of plaster mould away from a carved stone relief in a workshop
AI-generated image, not a photograph of a real person or place.

Questions

Questions people ask

Is a plaster cast a fake?

Not in the sense of a forgery. A cast is a reproduction made from moulds taken from the original. Museums like the V&A collected them to let students and visitors study works they could not see in person.

Why does the V&A's David have a fig leaf?

The V&A says Queen Victoria was shocked by the cast's nudity and asked for a fig leaf to be made, which was hung on the cast with hooks when dignitaries visited. The plaster fig leaf is now a popular exhibit.

Can a copy be more useful than the original?

Sometimes. The V&A says some casts show details no longer visible on the original because of poor restoration, pollution or weathering, and in a few cases the original has been destroyed.

What is an electrotype?

A metal copy made in a mould. Trajan's Column was first copied as an electrotype in pieces from Napoleon III's mould, and the plaster casts were then made from that metal copy.

Where can I see plaster casts in Britain?

The V&A Cast Courts in South Kensington display copies including David and Trajan's Column. Cambridge's Museum of Classical Archaeology has one of the world's largest cast collections of Greek and Roman sculpture.

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